Subject #3 got a little less Ichabod Crane and a little more my son, but there's a ways to go before I rest. |
We were all vacationing together. This candid of o of my DIL suggested she had had enough Roth togetherness and needed some alone time. |
I started another little portrait today to annoy myself, (and give me relief from the multiple portrait). It's of my DIL. After her, I have a couple of other DILs I can study in paint. That's just how it goes if you're a member of my family. I mean, how many self portraits can I do?
This is an example of Vianna Szabo's work. It's a portrait in pastels. Rather fantastic don't you think? |
She works in charcoal, pastels and oils. She has a blog and on it gave a pastel portrait demonstration. I liked her web site. It was well designed and very thorough. The woman is talented and she's in business. I believe she is related to Zoltan Szabo, a fine painter of landscapes--from the looks of his web site. I'll ask when I meet her. I'm a bit envious of people who grew up in artistic families. I, unfortunately, did not. I was the drawing/ painting wonder--and that wasn't saying much. There's always more to know.
Love your drawing of dil.
ReplyDeleteAbout pursed lips--why not unpurse them? I don't follow photo reference--or live model-- when doing so gets in my way.
Duh! Why didn't I think of that! Talk about dumb. I read your comment on my iPad last night Jean and had to laugh the idea was so simple, yet I hadn't thought of it. I spent the rest of the evening hunting down the subject's mouth in the family photo archives. "If it had been a snake..." Thank you for your most helpful comment.
ReplyDeleteDon't you hate it when the model does something a bit awkward, and you don't notice till you look closely and start to work with the photo??? My brother-in-law does that - hates having his photo taken. As for your workshop, that sounds SO exciting. Her work really is wonderful.
ReplyDeleteI thought so too--but didn't really see any gestural portraits--you know, something like Hal's "Laughing Boy," which was "in the rough style," rather than the gestural style. I think rough has more truth in it, the word is just not arty enough. LOL
DeleteJean's suggestion was a good one. Walking by the studio this morning while hunting down my can of Brasso, I went in and adjusted his mouth as Jean suggested--then I started noting how his head was constructed with regards to classic proportions. It was way off. I shortened the chin, sketched in a new mouth, washed the brush, got the Brasso and went to do my one housekeeping chore for the day--each day a little bit.
Looks like you are winning some and not losing some ... but with brasso you'll have a great finish. The Vianna's portrait is fantastic, isn't it. You're pretty darned good yourself ... but I'm a man of few words!
ReplyDeleteToday I lost in the studio, but I came through big time with the Brasso.
DeleteYou are not a man of few words. I have never even met you and know you can talk a blue streak. This third son has always been a challenge, why would painting him be any different? I spoke with his lady, an accomplished figurative painter, earlier who told me she never could nail down his mouth. Not surprising, none of us ever could. he should have been a lawyer.
But I agree. I'm not doing too badly for a beginner. --Just needed to boost my dispair.
AAH! but although I write a lot ...I am not one to talk a lot...honestly.
DeleteYour portrait is beautiful, Linda! and I went on Vianna's website..very impressive..thanks for sharing. The workshop sounds wonderful.
ReplyDeleteI would say it has potential Hilda. It's not beautiful yet. It's pushing me. Thank goodness, I'm stubborn.
DeleteShe says she is not related to Zoltan Szabo.
ReplyDelete